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Midsummer Madness, by Frederich Graetz, Puck, 1882

 Item — Box: 1, Folder: 14

Scope and Content:

From the Collection: The Helen Farr Sloan’s political cartoon collection (1802-1950) contains a variety of prints of political cartoons, illustrations, and caricatures from several different magazines. The collection contains pages from magazines, pages from books, and other prints that were not a part of a publication. The magazines featured include Puck, Judge, Vanity Fair (British, 1868-1914), Vanity Fair (American, 1913-1936), Harper’s Weekly, Gil Blas, Le Charivari, Truth, The New Yorker, The Illustrated London News, The New York Herald, and The Sun. There are other series included like Treagar’s Black Jokes and Le Gens de Paris. There are works from publishers like S.W. Fores, Currier & Ives, and J.Sidebotham. Also included are works by Rowlandson, which are individually published.

The first series contains cartoons from Puck magazine. Its materials are pages and covers from the magazine including the fronts and backs of the pages. The artists that are included are Frederick Burr Opper, Frederich Graetz, Bernhard Gillam, J.S. Pughe, James Albert Wales, and Samuel Ehrhart.

The second series contains cartoons from Judge magazine. The materials are pages and covers from the magazine and include both the fronts and backs of the pages. The artists that are included are Thomas Worth, Bernhard Gillam, Victor Gillam, and Grant E. Hamilton.

The third series contains cartoons, caricatures, and portraits from Vanity Fair (British, 1868-1914) and Vanity Fair (American, 1913-1936) magazines. The materials for the British magazine include the one-sided caricatures and cartoons featured in the publication. The material for the American magazine contains a portrait on the front and a table of contents on the back of the page. The artists that are included are Carlo Pellegrini (Ape/Singe), James Tissot (Coïdé), Thomas Nast, Leslie Ward (Spy), and William Henry Cotton.

The fourth series contains cartoons from Harper’s Weekly magazine. The materials include the front and back side of pages from the magazine. The artists that are included are William L. Sheppard, Charles G. Bush, Thomas Nast, and A.B. Frost.

The fifth series contains cartoons, caricatures, and illustrations from various magazines and publications. The artists and their publications include Théophile Steinlin, from Gil Blas, Sulpice Guillaume Chevalier (Paul Gavarni), from Le Gens de Paris, Thomas Rowlandson, William Summers, from Tregear’s Black Jokes, Charles Williams, William Elmes, George Cruikshank, Isaac Robert Cruikshank, Jules Joseph Georges Renard (Draner), Charles Robinson, from The Illustrated London News, Thomas Worth, Richard F. Outcault, from the New York Herald, Helen E. Hokinson, from The New Yorker, Charles Amédée de Noé (Cham), from Le Charivari, Sydney B. Griffin, from Truth, Oscar Cesare, from The Sun, and William Bruns.

There are a wide variety of themes and events covered in the cartoons and illustrations throughout the collection. There are numerous presidential elections covered including the elections of 1806, 1880, 1884, 1888, 1892, and 1900. The 43rd and 54th Congresses are both represented within cartoons in the series. Other events that are shown in cartoons in the collection are the Chicago World’s Fair/World’s Columbian Exposition, the Spanish-American War, Reconstruction, and the Kansas Exodus. There are also many representations of the Democratic, Republican, Greenback, and Citizens parties as well as Tammany Hall. Other themes included are immigration, Jewish communities, social ambition, weather problems, voting rights, the gold standard vs. free silver debate, diseases, family roles, plantations, white supremacy groups, Communism, financial issues, militaries, pic-nic societies, King George IV’s court, political corruption, and social events and issues. A large number of the cartoons included in the collections are products of their times and therefore many include racist language and depictions. The transcriptions and metadata associated with each cartoon is described as is for the purpose of providing the easiest access to the collection and does in no way reflect the views of Wilkes University or its archive department.

Dates

  • Created: 1882

Creator

Access:

Anyone may access these political cartoons.

Extent

1 items

Language of Materials

From the Collection: English

Type of Material:

Political cartoon

Condition Note:

Fair. Material has some yellowing and a few tears.

Measurement:

13 x 9.7 in

Title:

Midsummer Madness

Description:

The first panel on the right shows a mother in a blue dress, a tan and pink hat, holding a parasol, and holding a red blanket, a father in a black suit and gray top hat, carrying a red blanket and a parasol, and their child in a blue dress with a white collar and a tan hat. The family is looking at signs on a wall that read, “To Let, Bath, Gas, Speaking Tubes, Ice!” The next panel has a man and woman in their bed in the dark, dripping with sweat. The man is fanning himself with a blue fan. The next panel shows a man in a brown suit and white hat looking appalled at another man in a black suit holding his glasses and turning away from the other man. The next shows a man in an orange and white plaid suit, holding his hat down over his face, running from a swarm of mosquitos. The following shows two men dressed in dark clothes, climbing a ladder into a window at night. The center panel shows a dog that has broken loose, running down a street with its leash trailing behind it. There is a person falling out of the scene, dropping a black hat. The telephone poles and street lamps are drooping and sweating. The sun is frowning and sweating as well. The next panel shows a man in blue and a black hat standing on a small curved road on a cliff, with a bull running towards him. The following shows a man shaded out, sweating profusely, with the sun smiling behind him. The final panel shows a man dressed in black with a hat, looking out at the sun setting. The cartoon is by Friedrich Graetz for Puck magazine. Graetz’s cartoon depicts the 1882 heatwave in New York City that caused heat exhaustion and even some deaths. Many magazines like Puck were covering this heatwave and including cartoons alongside the stories. Graetz is an Austrian illustrator. Graetz worked in Vienna for many years on Kikeriki and Der Floh drawing satirical and political cartoons. He commonly used his art to criticize social issues and authority, and also frequently targeted public health issues. The back of the cartoon features part of an article as well as advertisements such as, “Angostura Bitters,” “Franz Josef Bitterwater,” “Karl Hutter’s Bottle Stoppers,” “Boker’s Bitters,” “Round Writing,” “Imperial German Mail,”and “Lustro.”

Location:

New York City

Transcription:

Captions in order from 1-8 read, “Breaking Up Comfortable Quarters —, To Growl in Attic Accommodations, To Think Hotel Clerk Airs Will Benefit You, To Imagine All the Mosquitos are in New Jersey, Trusting to the Police to Keep Thieves Out While Away, To Labor Under the Influence that You Right of Way in Country Lore, To Expect that because Old Sol is Stationary You Will Leave Him in the City, and To Expect to See Anything on a Farm.” The center panel is captioned, “Every Dog Has His Day.” The title is written below the cartoon, “Midsummer Madness.”

Repository Details

Part of the Wilkes University Archives Repository

Contact:
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