A Fable Which is Not All a Fable, by Thomas Nast, Harper’s Weekly, 1880 March 6
Item — Box: 1, Folder: 62
Scope and Content:
From the Collection:
The Helen Farr Sloan’s political cartoon collection (1802-1950) contains a variety of prints of political cartoons, illustrations, and caricatures from several different magazines. The collection contains pages from magazines, pages from books, and other prints that were not a part of a publication. The magazines featured include Puck, Judge, Vanity Fair (British, 1868-1914), Vanity Fair (American, 1913-1936), Harper’s Weekly, Gil Blas, Le Charivari, Truth, The New Yorker, The Illustrated London News, The New York Herald, and The Sun. There are other series included like Treagar’s Black Jokes and Le Gens de Paris. There are works from publishers like S.W. Fores, Currier & Ives, and J.Sidebotham. Also included are works by Rowlandson, which are individually published.
The first series contains cartoons from Puck magazine. Its materials are pages and covers from the magazine including the fronts and backs of the pages. The artists that are included are Frederick Burr Opper, Frederich Graetz, Bernhard Gillam, J.S. Pughe, James Albert Wales, and Samuel Ehrhart.
The second series contains cartoons from Judge magazine. The materials are pages and covers from the magazine and include both the fronts and backs of the pages. The artists that are included are Thomas Worth, Bernhard Gillam, Victor Gillam, and Grant E. Hamilton.
The third series contains cartoons, caricatures, and portraits from Vanity Fair (British, 1868-1914) and Vanity Fair (American, 1913-1936) magazines. The materials for the British magazine include the one-sided caricatures and cartoons featured in the publication. The material for the American magazine contains a portrait on the front and a table of contents on the back of the page. The artists that are included are Carlo Pellegrini (Ape/Singe), James Tissot (Coïdé), Thomas Nast, Leslie Ward (Spy), and William Henry Cotton.
The fourth series contains cartoons from Harper’s Weekly magazine. The materials include the front and back side of pages from the magazine. The artists that are included are William L. Sheppard, Charles G. Bush, Thomas Nast, and A.B. Frost.
The fifth series contains cartoons, caricatures, and illustrations from various magazines and publications. The artists and their publications include Théophile Steinlin, from Gil Blas, Sulpice Guillaume Chevalier (Paul Gavarni), from Le Gens de Paris, Thomas Rowlandson, William Summers, from Tregear’s Black Jokes, Charles Williams, William Elmes, George Cruikshank, Isaac Robert Cruikshank, Jules Joseph Georges Renard (Draner), Charles Robinson, from The Illustrated London News, Thomas Worth, Richard F. Outcault, from the New York Herald, Helen E. Hokinson, from The New Yorker, Charles Amédée de Noé (Cham), from Le Charivari, Sydney B. Griffin, from Truth, Oscar Cesare, from The Sun, and William Bruns.
There are a wide variety of themes and events covered in the cartoons and illustrations throughout the collection. There are numerous presidential elections covered including the elections of 1806, 1880, 1884, 1888, 1892, and 1900. The 43rd and 54th Congresses are both represented within cartoons in the series. Other events that are shown in cartoons in the collection are the Chicago World’s Fair/World’s Columbian Exposition, the Spanish-American War, Reconstruction, and the Kansas Exodus. There are also many representations of the Democratic, Republican, Greenback, and Citizens parties as well as Tammany Hall. Other themes included are immigration, Jewish communities, social ambition, weather problems, voting rights, the gold standard vs. free silver debate, diseases, family roles, plantations, white supremacy groups, Communism, financial issues, militaries, pic-nic societies, King George IV’s court, political corruption, and social events and issues. A large number of the cartoons included in the collections are products of their times and therefore many include racist language and depictions. The transcriptions and metadata associated with each cartoon is described as is for the purpose of providing the easiest access to the collection and does in no way reflect the views of Wilkes University or its archive department.
The first series contains cartoons from Puck magazine. Its materials are pages and covers from the magazine including the fronts and backs of the pages. The artists that are included are Frederick Burr Opper, Frederich Graetz, Bernhard Gillam, J.S. Pughe, James Albert Wales, and Samuel Ehrhart.
The second series contains cartoons from Judge magazine. The materials are pages and covers from the magazine and include both the fronts and backs of the pages. The artists that are included are Thomas Worth, Bernhard Gillam, Victor Gillam, and Grant E. Hamilton.
The third series contains cartoons, caricatures, and portraits from Vanity Fair (British, 1868-1914) and Vanity Fair (American, 1913-1936) magazines. The materials for the British magazine include the one-sided caricatures and cartoons featured in the publication. The material for the American magazine contains a portrait on the front and a table of contents on the back of the page. The artists that are included are Carlo Pellegrini (Ape/Singe), James Tissot (Coïdé), Thomas Nast, Leslie Ward (Spy), and William Henry Cotton.
The fourth series contains cartoons from Harper’s Weekly magazine. The materials include the front and back side of pages from the magazine. The artists that are included are William L. Sheppard, Charles G. Bush, Thomas Nast, and A.B. Frost.
The fifth series contains cartoons, caricatures, and illustrations from various magazines and publications. The artists and their publications include Théophile Steinlin, from Gil Blas, Sulpice Guillaume Chevalier (Paul Gavarni), from Le Gens de Paris, Thomas Rowlandson, William Summers, from Tregear’s Black Jokes, Charles Williams, William Elmes, George Cruikshank, Isaac Robert Cruikshank, Jules Joseph Georges Renard (Draner), Charles Robinson, from The Illustrated London News, Thomas Worth, Richard F. Outcault, from the New York Herald, Helen E. Hokinson, from The New Yorker, Charles Amédée de Noé (Cham), from Le Charivari, Sydney B. Griffin, from Truth, Oscar Cesare, from The Sun, and William Bruns.
There are a wide variety of themes and events covered in the cartoons and illustrations throughout the collection. There are numerous presidential elections covered including the elections of 1806, 1880, 1884, 1888, 1892, and 1900. The 43rd and 54th Congresses are both represented within cartoons in the series. Other events that are shown in cartoons in the collection are the Chicago World’s Fair/World’s Columbian Exposition, the Spanish-American War, Reconstruction, and the Kansas Exodus. There are also many representations of the Democratic, Republican, Greenback, and Citizens parties as well as Tammany Hall. Other themes included are immigration, Jewish communities, social ambition, weather problems, voting rights, the gold standard vs. free silver debate, diseases, family roles, plantations, white supremacy groups, Communism, financial issues, militaries, pic-nic societies, King George IV’s court, political corruption, and social events and issues. A large number of the cartoons included in the collections are products of their times and therefore many include racist language and depictions. The transcriptions and metadata associated with each cartoon is described as is for the purpose of providing the easiest access to the collection and does in no way reflect the views of Wilkes University or its archive department.
Dates
- Created: 1880 March 6
Creator
- Nast, Thomas, 1840-1902 (Person)
Access:
Anyone may access these political cartoons.
Extent
1 items
Language of Materials
From the Collection: English
Type of Material:
Political cartoon
Condition Note:
Fair. The material has a small tear.
Measurements:
9.5 x 15 in
Title:
A Fable Which is Not All a Fable
Description:
The cartoon by Thomas Nast for Harper’s Weekly has a large podium with the words “Savings Bank” on it and a lamb standing on top. The cartoon is showing Henry L. Lamb, the Superintendent of Banking in New York, as a lamb. It's in reference to a law that states “no Trustee or officer of any savings institution shall in any manner use the funds or deposits of such corporation, except to make such current and necessary payments as are authorized by the Board of Trustees.” Lamb’s push on this law upset Trustees and officers, which the wolves resemble. There are a pack of wolves trying to climb it to reach the lamb that is on top. There are three books on the top of the podium with the lamb on top. The books say, “Prohibitions Against Trustees And Officers Of Savings Banks, Duties Of Savings Banks Defined By H. L. Lamb, Report On Savings Banks H. L. Lamb.” There are posters on the wall behind the podium that read, “Superintendent H. L. Lamb’s Measures To Stop Trustees And Officers Of Savings Banks Being Liberal With The Depositors’ Money, New York Had A-L(ittle) Lamb, Trustees! No More Jolly Good Dinners No More ‘Busts’, H. L. Lamb Acting Superintendent Of The Bank Department N.Y.” The artist, Thomas Nast, was born in Germany and sent to school in America. He went to school for design and started drawing cartoons for Harper’s Weekly and was featured in Vanity Fair as well. He is known for popularizing different symbols like the Republican Party’s symbol. The back of the cartoon features two articles that do not relate to the cartoon.
Location:
New York
Transcription:
The title is printed below the image, “A Fable Which Is Not All A Fable,” and the caption, “Showing How A Lamb, By Not Being A Black Sheep, Did Thwart The Pack Of Wolves Which Can Be Found At Nearly Every Savings-Bank Door.”
Creator
- Nast, Thomas, 1840-1902 (Person)
Repository Details
Part of the Wilkes University Archives Repository
Contact:
84 W South St.
Wilkes-Barre PA 18701 US
570-408-2000
570-408-7823 (Fax)
ask.archives@wilkes.edu
84 W South St.
Wilkes-Barre PA 18701 US
570-408-2000
570-408-7823 (Fax)
ask.archives@wilkes.edu